Tracks like вЂ Golden HairвЂ™ and вЂ Tonight, FlightвЂ™ personify the statement above. гЂЊгЃ‚г‚‰гЃ‹гЃг‚Ѓгѓќг‚№гѓ€дё–д»ЈгЂЌгЂЂвЂњ Naturally Postmodern generationвЂќ The sound world created by Ogata and his band has led to reviews interpreting him as: The discotheque drumbeat that carries some rhythmic impetus is glazed with a tuneful little guitar riff, glittering and shimmering synth lines covering the stereo field and hazy, ethereal vocals, orchestrating an atmospheric yet infectious вЂwall of soundвЂ™ that immerses the listener in sonic bliss. вЂ On the BeachвЂ™, the first track from hisВ 2012 album Her Paperback is a euphonious overture to the record. His unique sonic landscape brings to mind the rhythmic pulsations of Coldplay ornamented with chillwave sonic textures of Tycho. He crafts a sensual ambience through blending post-rock aesthetics with dreamy vocal lines and tranquil synth drones evocative of dream-pop/shoegaze. Kensei Ogata, lead singer of the band Talk based in Kumamoto prefecture first captured my attention. The next couple of posts will put the spotlight on a couple of Japanese artists that have emerged from the young music label. BEST FRIENDS and MAZES from the UK and TOPS from Canada).

My latest discovery comes from Fukuoka prefecture, an independent music label called DEAD FUNNY RECORDS.Д®stablished in 2012, this record label is a catalyst for releasing some of the most breathtaking new music from various regions of Japan and parts of the globe (e.g. In my spare time, I often engage in a bit of вЂSoundCloud surfingвЂ™, as itвЂ™s a great platform that allows us to discover hidden gems from a variety of cultures. Taking a different approach for the next couple of posts.

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